TRY THIS Chapter One begins…

The existence of the image, not its actual existence if it makes sense to speak of the existence of a black hole, proves the point:  We extract a narrative structure out of our own being, our physicality, our mortality and it’s given a name:  Is.

For mortals this is has a narrative structure:  We have a beginning, a middle, an end.  We are born, we live, we die.  There’s nothing ultimately true about that, other than our being mortal, but not really mortal.  We are more like Jesus.  Death has no dominion, except over that particular manifestation of our is-ness at the moment of death.  I don’t want to diminish that sense of dead is-ness.  I’ve been there, touched enough dying and dead people to know that it’s profound.  It’s just that it is a profound moment in a much larger story, some of which will be told at a subsequent funeral perhaps, or an expression of that chiseled onto a gravestone.  Still, life goes on.

Rocks might not have a narrative structure.  A black hole is all about not having a narrative structure.  And by perceiving it now as a photograph we confound our own nature and somehow that confirms everything.  Well, not really.

Back to the image.  It only comes into being because people in several different places put their data together and there you have it.

Click here:  First black hole image: How to watch …

sea.mashable.com

And here:

Detected Gravitational Waves …

sciencealert.com

And here:

Living Near a Supermassive Black Hole …

blogs.scientificamerican.com

And here:

Imaging a Black Hole …

wired.com

 

The supermassive black hole (big even by black-hole standards).

It was there all along, but we didn’t know about it.  Then we knew about it.  Now we ‘see’ it.  Well, not really.

(Is it hubris to say ‘we’ here, claiming some identity with the geniuses that figured out how to make this image, this proof of Einstein’s theories and of Steven Hawking’s theories, all that math – to the extent that I’m making some personal claim here to their knowledge I’m sorry?  I can barely tally up the bills to keep my bank account intact, to keep my checks from bouncing; I make no claims, just a kind of noticing.)

The image is not of one’s seeing.  No one person ‘saw’ the black hold and took a picture of it.  Rather, its a collaborative exercise of many people necessarily at some distance from each other, collective and accumulating the data that created one image of something very far away, that in itself is just the outer ring of its own timelessness.

What am I getting at?  That this is not a thing at all, this black hole or even the image of a black hole.  It is a sum of its many equations and projections that coalesce that we can knowledge, or knowing, or “This is it!”

Except, perhaps, stillness.  Unmediated.  Stillness.

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And then try this

“In the beginning was the Word…”  It was an easy mistake to make.  People can embrace the illusion of a text as timeless, associating the Word with a lot of words.  And I was nineteen.

Marshall McLuhan identified the relationship between language technologies and meanings, overstating his point that “the medium is the message” but the point is well taken.  There is a trace of the oral in the written text, a trace of the written word on printed page, and in the pixelated images on my computer screen.

Of course first there is the spoken word.  Oral culture predates written culture not only historically but with every child born.  First they live, then listen, talk, then maybe someday read and write.

Over time, when sacred or even mundane symbols are pressed onto clay tablets, the clay itself containing remnants of living organisms.  Ephemeral words and the eternal Word are only adjacent. To identify the medium with the message might be straight out idolatry.

Yet I still hope to hear the word of God in the person of Jesus through the medium of print or, better yet, read aloud.  Today I participate in the Daily Office online.  The selection of prayers and scripture passages read in the morning, noon and evening prayer, a practice going back to Constantine and monastic life in the third century, recited aloud in communities, now flickers on my laptop as I pray with an online community, though there’s no one else in this room.

I have focused too much on the otherness of text and word associated with the Word.  It is incarnate.  It is other than other; it is also this.

Try this.

I close my laptop and put my phone out of reach.

 

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Try This

I’m trying to tie this study of Kenny to the incarnation.  Having so much focus on the unknowable infinite Other, I need to consider life as we can know it.  The mediated reality, mediated by our experience, our brains, creation as it was given to us.   Past tense and ongoing.  And mediated, of course, by media.

“In the beginning was the Word…”

It was an easy mistake to make, embracing the illusion of the text as timeless.  Associating the Word with the book I was reading, I believed I might hear the Word of God in the person of Jesus through the medium of print.  I was nineteen.

Soon the printed page was largely usurped by the pixilated computer monitor.  I loved it.  Today I even participate in the Daily Office online, that selection of prayers and scripture passages read in the morning, noon and evening prayer. The practice was at first largely oral, going back to Constantine and monastic life in the third century, and is still recited aloud in communities.  But with the text flickering on my laptop, I pray not really alone, though there’s no one else in this room.

Marshall McLuhan identified the relationship between language technologies and meanings, stating “the medium is the message”, overstating his point but a point well taken.  There is a trace of the oral in the written text, the written word on the printed page, with the pixelated image on my computer screen.

Yet even when ancient sacred or even mundane symbols were pressed onto clay tablets, the clay itself containing remnants of living organisms.   The ephemeral words and the eternal Word are only adjacent. To identify the medium with the message might be straight-out idolatry.

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Nicholas Carr writes…

Ten Years ago, when Nicholas Carr wrote a prophetic article for Atlantic Monthly “Is Google Making us Stupid?” my students were all on it.  They often express concern about their media use, which I find frankly heartening:  They are using their critical faculties to critique their own practices.: One way or another they are all creating websites and are online many hours a day.

I’ll paste in the links to Carr’s article below, in case it’s true:  we’ve become so stupid we have to have the links provided or it’s just too much work.  I know I feel this way today, and it’s only 10 a.m.  I’ve already been clicking away on my laptop for three hours.

Then Carr took on the neuroscience of it all with The Shallows; What the Internet is Doing to Our Brains (Norton, 2010).  Way before the Russian Investigation.  OMG Obama was still president.  A hundred years ago.

So here it is: his book lying on the keyboard of my computer.  I’m going back to print media more and more, as are some of my students, even as they’re creating video games for the rest of us.

That’s what struck me as entirely reasonable, thinking about why Parker and Stone use 3D animation techniques to create a 2D animation look.  New media doesn’t supplant old media.  The old becomes more artfully practiced and preserved, bookmaking a treasured skill, as are illuminated manuscripts.

Nostalgia?  I think not.  Carr writes: “For some people, the very idea of reading a book has come to seem old-fashioned, maybe even a little silly – like sewing your own shirts or butchering your own meat.” (p.8)   Silly?  Tell the good people who’ve organized the alternative-currency TimeBank online, they regularly hosts events that teach you how to sharpen your own knives, not just design and sell your handmade clothes.  You’ve got Etsy.com for that.

http://echoparktimebank.blogspot.com/

Mend your clothes.  A little silly?  Don’t dismiss these young eco-friendly craftspeople; they are deadly serious and just might help save the planet stitch by stitch.

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