The End of Part I – Water

I am done with the first section of this novel.  I’ll post here a short passage that is toward the end, so as not to give the end away.   Part I – Water nearly ends… something like this:

Perhaps, the twin thinks, Arthur should have done more and sooner, made more and bigger revolution, taken more lovers and been more faithful to those that he had loved, furiously faithful.  She wishes that they had eaten more fruit together, drunk more wine, that they had prayed more and danced later into the night.  She is thinking that his body was burned with what was left of his love, that even now they should dance because there is still fire.  Let them dance, she thinks, and those who are dead, let them race over fields, seeking their lovers and their foes, covering the mountain with their footsteps, with their coats.  Those left behind envy their enemies who receive this passion, but it is the love that confounds them.   She has crawled into the lap of one such as she is in desire, as the sun beat down on them, then gives itself over to the moon, as the sea ebbs in and out between and around them, and they neither burn nor drown.

This mighty stillness tonight; don’t mistake it for peace.  There is a restlessness as wild rapids, as the sun’s surface and no man is large enough now to be an object of its rage.  This rage is huge.  It can accomplish great things.  It can rest for years and rise again, refreshed and vigorous.  It can change everything.  But she has no need for eyes if eyes are to see this.  And the truth, what is that to the dead but that which is buried in consequences, in circumstances that change in life, but not in death.

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When housekeeping becomes researching

Cleaning out my office, I found a book of poems from the Grenada revolution, Freedom Has No Price; an anthology of poems, printed 1980. The anthology has a forward stapled in, that opens with a quote:

I
must be given words
to refashion futures
like a healers hand…

E. Brathwaite

This little collection, without so much as an ISBN number or a named editor, has the actual words of the actual people who hoped that the revolution would change their lives, and it certainly did.  The book was published for the “Festival of the Revolution March 1-13 1980” it says on the front cover.  A year into the revolution.  Its contributors are listed on the back, a fourteen-year-old student, Alice Paul.  A poem of Mildred V. Julien that particularly speaks to me.  “There is nothing, nothing at all.”  I look her up at the back of the book:  “71 year old housewife of St. Pauls”  is all it says, but that is something.

I repeat:  I’m not trying to tell the story of the Grenada revolution. in my novel.  They tell their own story, as they do in this book of poetry.  This little revolution that lasted just three years and a bit, that the US Government decided to crush entirely after it imploded anyway.  I am writing a novel.  I make shit up.  Still, I went there twice, sat in the press box through weeks of the trial, and now I find this chapbook of their poetry that speaks to me.  Mildred, there is something here, not nothing, nothing at all.  I’ll make plans to go back.  The rum factory where we delivered some big pieces of the still in the back of a pickup is now part of a tour I can take for $240 once I get there.  The black sands beach, of course, is still there.  Some things don’t change.  Now… to get back to the novel.  I need to finish this and only the first part is set in the Carribean.

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